Typically, the Heights majorly places more emphasis on a single bodega, which takes a very brief time. On the other hand, Hamilton places much focus on Alexander Hamilton’s entire life. There is a kind of echo that is being reverberated by the event. However, the two echoes appear to be from a distance and are detached. When it comes to the Heights, the hits are some hoe fats and hard and emanate immediately.
Additionally, Humiliation appears to a greater extent as Americans all through. It is not popular overseas due to the content that does not indeed ring. However, it remains potent. Hamilton is characterized by polysyllabic rhymes (Peter, 2017). This is a clear indication that he thinks continually. On the other hand, the details lack the heights. The challenges are even more relatable and Immediate, thus hurting the most.
On comparison, the two artworks have the possibility of performing poorly when done out of their respective Broadway runs. It is easy to produce the heights and thus can be done and replicated in schools. On the other hand, Hamilton requires a lot in its cats containing the results that are a bit grander. Primarily, when next to each other, they tend to stack up pretty well. Typically, no overlap exists between them. In terms of music, many differences are very apparent. However, it is easy to identify that Lin wrote both scores due to the style consistencies in the ballads, harmonies, and rhyme schemes in the heights. Hamilton has a different feel from the in the heights (McAllister, 2017). The elevations have every single song portraying the clear Caribbean and Latin sounds and influence. The sounds and control appear to be upbeat and relatively relaxed. It is also comprised of rap that is less with more solos and ballads when compared to Hamilton.
Reference
Peter, R. S. (2017). The Ten-Dollar Founding Father: Alexander Hamilton, Lin-Manuel Miranda, and the Continuing Revolution of America. Annals of the University of Craiova, Series: Philology, English, 1(XVIII), 157-164.
McAllister, M. (2017). Toward a Perfect Hamilton. Journal of the Early Republic, 37(2), 279-288.