Salvador Dali Information
Expulsion from the Surrealists:
As the battle approached in Europe, particularly in Spain, Dali conflicted with members of the Surrealist association. In a hearing held in 1934, Dali was ejected from the group. Besides, he had refused to act against the Spanish Militant Francisco Franco, but it’s yet clear whether the measure led to his expulsion directly. Therefore, Dali was officially notified that the group had expelled him due to his repeated counter-revolutionary actions concerning the festivity of fascism under the Great Adolf Hitler. Moreover, it was revealed that some members of his group were not happy with his public antics. However, statistics claim that his expulsion was due to his close association with the Surrealist leader, Andre Breton. Despite his removal from the group, Dali took part in several international Surrealist activities in the 1940s. During the London Surrealist exhibition of 1936, Dali delivered his lecture by the title “Fantomes paranoiaques athentiques.” During his conference, Dali was in a wetsuit, carrying a billiard cue in an association of a Russian Wolfhounds. Later that day, he clarified that his outfit was a depiction of the “plunging into the depths” associated with the human mind. During World War II, Dali moved in the United States with his wife until 1948, when both moved back to Catalonia. His period in the United States was significant to his proceedings. For instance, the Metropolitan Museum of Modern Art in New York City accustomed Dali to his retrospective exhibit of 1941. Besides, the measure was followed by Dali’s publication of his autobiography, “The Secret Life of Salvador Dali,” in 1942. In the same year, Dali’s focus moved away from Surrealism to his classical duration. His feud with members of the Surrealist movement went on, but Dali seemed unconcerned. His wise abilities and extend mind had ventured into different subjects by then.
The Dali Theatre-Museum:
Over the following 15 years, Dali managed to develop a series of 19 large canvases that consisted of historical, scientific, and religious themes. He regularly named the duration as “Nuclear Mysticism.” Over this period, his painting work took on a flash of technical brilliance, with a combination of meticulous strategic measures in the association of limitless and fantastic imagination. Besides, Bali would integrate photosensitive impressions, geometry, and holography measures within his artwork. A lot of his artwork was based on depicting divine geography, some religious themes concerning chastity, the DNA, and the HyperCube. During 1960-1974, the artists dedicated much of his time to constructing the Teatro-Museo Dali (Dali Theatre-Museum) in Figueres. Similarly, the museum’s construction had initially acted as the Municipal Theatre of Figueres, a few years back when Dali participated in his public exhibition at 14 years old.
The museum’s original structure had been destroyed during the 19th century, due to the Spanish Civil War. Across the street from the Teatro-Museo is the Sant Pere Church, where Dali was baptized, receiving his first communion. On the other hand, three blocks away is the building where Dali was born. In 1974, the Teatro-Museo Dali officially lounged. The new house was constructed from the ruins of the old and based on Dali’s one design, which is the world’s most massive Surrealist structure. The structure contains a series of spaces that can be combined to form a single artistic object.
Similarly, the place is well-known for hosting much of Bali’s artistic works, right away from his earliest creative experiences up to work created during the late years of his life. In 1974, Dali dissolved his business association with Peter Moore, his manager. As a result, all the rights to his properties were sold out without his permission by other concerned managers, losing much of his wealth. Two well-known American art gatherers, A. Reynolds Morse and Eleanor, his wife, set up an association called “Friends of Dali” to assist his artist’s finances. The association also established the Salvador Dali Museum in St. Petersburg, Florida.
Final Years:
In 1980, Dali had to retire from painting due to a motor infection that resulted in permanent trembling and weakness in his hands. Due to his inability to hold things firmly, he could not express himself the way he knew best. To make matters worse, in 1982, his beloved wife, Gala, passed away, leaving him in a critical condition. In fact, the two consecutive events send Dali into a severe depression. Besides, Dali proceeded to Pubol, to live in a castle he had bought and remolded for Gala, mainly to hide from the public or else to die a more secret manner. In 1984, the artist was burned accidentally by fire, whereby due to his injuries, he was confirmed to a wheelchair. His friends, relatives, and other concerned artists transferred him from his castle to the hospital in Figueres, a more comfortable place at the Teatro-Museo. However, in November 1988, Dali was associated with heart failure. After some consultations, he went back to the Teatro-Museo. At 84 years old, Dali was passed away in the city of his birth. Furthermore, his funeral was conducted at the Teatro-Museo, where he was buried in a crypt.
Paternity Case and New Exhibition:
On June 26th, 2017, a particular magistrate in a Madrid court ordered that Dali’s body be disentombed to solve a paternity case. A certain woman by the name Maria Pilar Abel Martinez, a 61 years old woman, brought some issues concerning her mother’s relationship with the artist while she was working in Port Lligat, a town in North-Eastern Spain. Thus, the judge ordered Dali’s body to be exhumed due to lack of related biological or personal remains to be compared to Martinez’s DNA. On the other hand, “The Gala-Salvador Dali’s Foundation,” which managed Dali’s estate, made a step of appealing the current ruling by then. However, the exhumation continued the following month, something which was unexpected.
On the other hand, the testing procedure proved that Dali was not the biological father. The following October, the artist was back in the news with the declaration of a specific exhibition at the Dali Museum in Saint Petersburg, Florida. This was to celebrate his association with the Italian fashion designer Elsa Schiaparelli. Consequently, the two became well-known for the joint creation of the “Lobster Dress,” which was worn by the American socialite Wallis Simpson. The socialite later married the English King, Edward VIII.
From my point of view, Salvador Dali was a great artist who was well-known due to his capability of wearing outrageous pieces of clothing. The pieces of clothing mimicked his art and creativity, with fearless inclination to self-expression. Besides, he was of a great character, a unique artist who possessed great talent. On the other hand, I would like to argue in terms of leaving a legacy. Salvador Dali was a unique artist who used various strategic measures to push his artistic work in Spain and across the entire globe.
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